https://mimia.cargo.site mimi allard Wed, 16 Jun 2021 18:20:13 +0000 https://mimia.cargo.site en https://mimia.cargo.site/Home Sat, 13 Mar 2021 03:54:57 +0000 mimi allard https://mimia.cargo.site/Home mise à jour&nbsp; &nbsp; &nbsp;//&nbsp; &nbsp; &nbsp; nouveau site à venir&nbsp; &nbsp; &nbsp;//&nbsp; &nbsp; &nbsp;&nbsp;mise à jour&nbsp; &nbsp; &nbsp;//&nbsp; &nbsp; &nbsp; nouveau site à venir&nbsp; &nbsp; &nbsp;//&nbsp; &nbsp; &nbsp;mise à jour&nbsp; &nbsp; &nbsp;//&nbsp; &nbsp; &nbsp; nouveau site à venir&nbsp; &nbsp; &nbsp;// <img width="2596" height="1504" width_o="2596" height_o="1504" data-src="https://freight.cargo.site/t/original/i/ea47109087ebc9dcf9ddb99ad75a77b09f5afdba66fe2c5ee9c69427dacaa489/Screenshot-2026-03-08-at-8.51.56PM.png" data-mid="245771090" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/ea47109087ebc9dcf9ddb99ad75a77b09f5afdba66fe2c5ee9c69427dacaa489/Screenshot-2026-03-08-at-8.51.56PM.png" />&nbsp; &nbsp;&nbsp;<img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/d06440e19c1dfd6eb01a31432e63dea2dfe6a5e90dbf936a584712d1b0cafe2d/GIF_Fleur_2.gif" data-mid="245771198" border="0" data-scale="86" src="https://freight.cargo.site/w/600/i/d06440e19c1dfd6eb01a31432e63dea2dfe6a5e90dbf936a584712d1b0cafe2d/GIF_Fleur_2.gif" /><img width="6339" height="3024" width_o="6339" height_o="3024" data-src="https://freight.cargo.site/t/original/i/35e7c57db9b1abfff488c09586f254a1a2ff07bdc13d037b4fc82101712d1ebb/setup-red.jpg" data-mid="245771094" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/35e7c57db9b1abfff488c09586f254a1a2ff07bdc13d037b4fc82101712d1ebb/setup-red.jpg" /> https://mimia.cargo.site/Mimi-Allard Wed, 16 Jun 2021 02:44:39 +0000 mimi allard https://mimia.cargo.site/Mimi-Allard BIO <img width="2320" height="2764" width_o="2320" height_o="2764" data-src="https://freight.cargo.site/t/original/i/542c426f434fe4df00675bacc7af9a938f9913efbd604bb3ce9efb8704b48223/MAllard-copy-2.jpeg" data-mid="151039911" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/542c426f434fe4df00675bacc7af9a938f9913efbd604bb3ce9efb8704b48223/MAllard-copy-2.jpeg" /> Mimi is a sound artist whose practice lies at the intersection of experimental electronics, improvised music and sound art.Using modular synthesizers and Max, she creates sonic amalgams composed of synthesized sounds and audio recordings. Through the act of deconstruction and remodeling of sonic matter, she seeks to create musicality while highlighting the particular energy of these "invented sounds". In live performance she places a particular emphasis on deep listening. In addition to her studies in Intermedia and Electroacoustics at Concordia University, Mimi has taken various courses in audio synthesis, programming and 3D spatialization. She participates in research projects and musical performances in academic contexts as well an in the artist-run centers network, and also works as a sound designer/composer on multidisciplinary performance, installation and film projects.<img width="809" height="526" width_o="809" height_o="526" data-src="https://freight.cargo.site/t/original/i/7066f5b7401daae45459ee88589aea997768cd42743ba09674a49595419a25a2/Screen-Shot-2021-06-16-at-12.32.41-PM.png" data-mid="111541754" border="0" src="https://freight.cargo.site/w/809/i/7066f5b7401daae45459ee88589aea997768cd42743ba09674a49595419a25a2/Screen-Shot-2021-06-16-at-12.32.41-PM.png" /> ++ <img width="2151" height="2160" width_o="2151" height_o="2160" data-src="https://freight.cargo.site/t/original/i/98c00487810a66acdc81f4002463ddf88eceacd5977050d36c0d01b58064c2a2/LSTW_B-W.jpg" data-mid="111587777" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/98c00487810a66acdc81f4002463ddf88eceacd5977050d36c0d01b58064c2a2/LSTW_B-W.jpg" /> COLLABORATIONS <img width="3300" height="2475" width_o="3300" height_o="2475" data-src="https://freight.cargo.site/t/original/i/7d085b1ce9d56df24a3b24282e29ca65d70e325fbeab6afa9e85a2b241b072d5/WAVYY_COUL.jpg" data-mid="111549852" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/7d085b1ce9d56df24a3b24282e29ca65d70e325fbeab6afa9e85a2b241b072d5/WAVYY_COUL.jpg" /> Since 2019, Mimi is part of the duo Eau Forte with Gabriel Lavoie Viau.+As part of the Amplify D.A.I. program in collaboration with Mutek, Mimi has initiated a new collaboration with artist Efe Ce Ele (AG) in 2021, and with Anaïs Maviel (NY, FR) in 2023. <img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/d06440e19c1dfd6eb01a31432e63dea2dfe6a5e90dbf936a584712d1b0cafe2d/GIF_Fleur_2.gif" data-mid="111579025" border="0" src="https://freight.cargo.site/w/600/i/d06440e19c1dfd6eb01a31432e63dea2dfe6a5e90dbf936a584712d1b0cafe2d/GIF_Fleur_2.gif" /> Inter, art actuel -&nbsp;cultural periodical&nbsp;[2021] Practices of silence, sound, and orality, between concrete poetry, performance and sound art. <img width="1696" height="1135" width_o="1696" height_o="1135" data-src="https://freight.cargo.site/t/original/i/9b1699b7101d710380f0b9c67cd5c77850729af2b9937daffdf6f8ab54f2471a/Screen-Shot-2021-06-16-at-9.09.37-PM.png" data-mid="111578782" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/9b1699b7101d710380f0b9c67cd5c77850729af2b9937daffdf6f8ab54f2471a/Screen-Shot-2021-06-16-at-9.09.37-PM.png" /> <img width="1685" height="1154" width_o="1685" height_o="1154" data-src="https://freight.cargo.site/t/original/i/b0ed61bae1c2211036b6c0b7be629b8c62417944ac049913351311de86e4f206/Screen-Shot-2021-06-16-at-9.09.07-PM.png" data-mid="111578786" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/b0ed61bae1c2211036b6c0b7be629b8c62417944ac049913351311de86e4f206/Screen-Shot-2021-06-16-at-9.09.07-PM.png" /> https://mimia.cargo.site/Music Wed, 16 Jun 2021 18:02:57 +0000 mimi allard https://mimia.cargo.site/Music MUSIC PROJECTSMelting Artifacts (2023)Excerpt <img width="2546" height="1426" width_o="2546" height_o="1426" data-src="https://freight.cargo.site/t/original/i/82a31aeff49141483f115f41f52954ca34d6e61dc385c5c406ccc167d9e02c0a/Screen-Shot-2023-04-21-at-3.02.14-PM.png" data-mid="179599497" border="0" src="https://freight.cargo.site/w/1000/i/82a31aeff49141483f115f41f52954ca34d6e61dc385c5c406ccc167d9e02c0a/Screen-Shot-2023-04-21-at-3.02.14-PM.png" />Piece based on resonance, where sounds are filtered around certain frequencies, making them slightly dematerialized. FM / just intonation /// synthesis / programming // deep listening<img width="2878" height="1614" width_o="2878" height_o="1614" data-src="https://freight.cargo.site/t/original/i/571becc24181b6cfb80b3c448003509c9f89664cf03a103c5d2e3c9c55b0576d/HEADER_WHITE.jpg" data-mid="111547912" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/571becc24181b6cfb80b3c448003509c9f89664cf03a103c5d2e3c9c55b0576d/HEADER_WHITE.jpg" /> Procedural Modeling N 01Pièce présentée à Mutek 2021 [Argentine et Espagne]Un modèle d’apprentissage machine entraîné pour contrôler mes synthétiseurs tentent de reproduire des sons, qui sont ensuite ajoutés aux couches initiales de la pièce. L’amalgame co-créatif combine synthèse modulaire, voix de synthèse, cloches et foley. ∞ 4:3 (2020) Mimi Allard and Gabriel Lavoie Viau <img width="1914" height="1052" width_o="1914" height_o="1052" data-src="https://freight.cargo.site/t/original/i/69220f0a096d512a9b3c393801e8e4d9bbae26c93571a84416e3a1543d3c0d67/MUTEK21_Mimi-Allard_Gabriel-Lavoie-Viau_par_Bruno-Destombes_002.jpg" data-mid="179600540" border="0" src="https://freight.cargo.site/w/1000/i/69220f0a096d512a9b3c393801e8e4d9bbae26c93571a84416e3a1543d3c0d67/MUTEK21_Mimi-Allard_Gabriel-Lavoie-Viau_par_Bruno-Destombes_002.jpg" /> Deep synth performance [just intonation / deep listening / synth meditation] Presented at Mutek 2020 [Montreal] and Noviembre Electronico 2020 [Argentina] 4:3 performance - Mutek Montreal 2020 - Excerpt Pendulum (2019) Mimi Allard and Gabriel Lavoie Viau<img width="2540" height="1412" width_o="2540" height_o="1412" data-src="https://freight.cargo.site/t/original/i/e590169848a7f788cd6533a9b40d03dee5e2a69e59d9ea26a19f8267a6e3f7b2/PENDULUM_01.png" data-mid="111586296" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/e590169848a7f788cd6533a9b40d03dee5e2a69e59d9ea26a19f8267a6e3f7b2/PENDULUM_01.png" /> The Pendulum module is a sonification proposal of the physical phenomenon of pendulum waves. Its interface allows it to be played as a autogenerative instrument or in a live context. Its first version was created for a 6-channel performance at Sporobole artist center. In order to avoid the complexity of signal mapping to external instruments (requiring 1 instrument per pendulum), the sounds in this version were generated in Max. It is however possible to use the pendulum module as a controler, when connected to external synths. Recording of the Pendulum module MISC SOUND TEXTURES EXCERPTS Sonic texture - Excerpt 2019Soft and grinding patch, tube ringer/shaper Breathing Regimen - Excerpt 2019 Mimi Allard - Modular Synths&nbsp; /&nbsp; Elizabeth Mclellan - Animation/Trumpet Breathing Regimen - Excerpt 2019Mimi Allard - Modular Synths&nbsp; /&nbsp; Elizabeth Mclellan - Animation FILM SCORELa garde blanche (2022) <img width="895" height="918" width_o="895" height_o="918" data-src="https://freight.cargo.site/t/original/i/13ef3617477b67b1985680d2d10ecf64b20364f5ebf4e63ff6270a5aba992792/VINYL.jpg" data-mid="168685306" border="0" src="https://freight.cargo.site/w/895/i/13ef3617477b67b1985680d2d10ecf64b20364f5ebf4e63ff6270a5aba992792/VINYL.jpg" />&lt;&gt; · LA GARDE BLANCHE - EXCERPT SOUND EXPERIMENTS Study I&nbsp; / Bio synth <img width="1914" height="2118" width_o="1914" height_o="2118" data-src="https://freight.cargo.site/t/original/i/556f07a22447393c222e4ef9978e43dda3af241f9b37390f8018dfd69868d0a9/LEAFE_G.jpg" data-mid="168572405" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/556f07a22447393c222e4ef9978e43dda3af241f9b37390f8018dfd69868d0a9/LEAFE_G.jpg" /> This bio synth study was inspired by the grooves patterns of a tree leaf. &nbsp;It is the result of the interpretation the leafe’s “organic score", where the left/right grooves were compiled and translated into intervals, then played by a just intonation synth. CUSTOM MODULESBoth in her solo and collaborative practices, Mimi creates digital and hybrid custom instruments[Max / Touch Designer / Arduino] Quad Looper ++ (2021) <img width="818" height="1039" width_o="818" height_o="1039" data-src="https://freight.cargo.site/t/original/i/c7d6400f704b1b924369ca94e91ac496cc85a55eeda18a46d57fe9e040b019f2/Screen-Shot-2021-06-16-at-2.16.48-PM-copy.jpg" data-mid="111564282" border="0" data-scale="66" src="https://freight.cargo.site/w/818/i/c7d6400f704b1b924369ca94e91ac496cc85a55eeda18a46d57fe9e040b019f2/Screen-Shot-2021-06-16-at-2.16.48-PM-copy.jpg" /> Audio quad looper - Controlable by external CV from modular synthesizers Radio Grinder (2020) <img width="2008" height="1324" width_o="2008" height_o="1324" data-src="https://freight.cargo.site/t/original/i/3341e667ea4b3740c6b5054057a416d0d1f5fe92d20689acb7d02600ab5c8e93/Screen-Shot-2021-06-17-at-12.22.32-AM.png" data-mid="111587160" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/3341e667ea4b3740c6b5054057a416d0d1f5fe92d20689acb7d02600ab5c8e93/Screen-Shot-2021-06-17-at-12.22.32-AM.png" /> Loosely inspired by Tom Whitwell’s module Radio Music [itself inspired by the work of Don Buchla and John Cage] [Collab with Francis Latreille] ∞ 4:3 (2020) <img width="2880" height="1661" width_o="2880" height_o="1661" data-src="https://freight.cargo.site/t/original/i/5d971d201904d4f07a3a379e4ff35673035559eeac2a6fee8dbce7e696f2a6e4/4---JISYNTH.jpg" data-mid="111547913" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/5d971d201904d4f07a3a379e4ff35673035559eeac2a6fee8dbce7e696f2a6e4/4---JISYNTH.jpg" />Just intonation module&nbsp;[Collab with Gabriel Lavoie Viau] PENDULUM (2019) <img width="2880" height="1654" width_o="2880" height_o="1654" data-src="https://freight.cargo.site/t/original/i/702bb5ba33924ba5b38908490e5e7d69dcb9991d88ea33ab2e5bb5e2ecb442a3/PENDULUM_03_NB.jpg" data-mid="111586382" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/702bb5ba33924ba5b38908490e5e7d69dcb9991d88ea33ab2e5bb5e2ecb442a3/PENDULUM_03_NB.jpg" />Pendulum wave sonification [Collab with Gabriel Lavoie Viau] https://mimia.cargo.site/Sound-Art-Misc Wed, 16 Jun 2021 18:20:13 +0000 mimi allard https://mimia.cargo.site/Sound-Art-Misc INSTALLATION/ELECTRONIC ARTS/ROBOTICS Intervallic space | on the poetics of meaning (2022) <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/8998841da7f8adec35ab91e906a4b6abf7eff994ce28fe9129479a4cc6444382/IMG_9052.JPG" data-mid="168575883" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/8998841da7f8adec35ab91e906a4b6abf7eff994ce28fe9129479a4cc6444382/IMG_9052.JPG" /> A large black flag is hanging from the ceiling, and two opposite fans are blowing air towards it, both collaborating and competing into shaping it. Data ratios extracted from public polls&nbsp; - either as fixed data or constant flow - are expressed by the fan’s air flow. The poll questions and ratios are presented on a mini display in front of the piece. The concept seeks to create a visual representation of the duality, fragility and inconstancy of public opinion/beliefs. Power interplay and interference are sharing space, as the wind and flag are also negotiating space and agency. Overall, the piece hopes to create a meditative yet engaging reflection around the opacity of information, bias, algorithmic justice and imagination - the latter&nbsp;invoked by the flag’s movement. Intervallic space - excerpt [no sound] Interactive just intonation sound blanket (2021) <img width="2610" height="1389" width_o="2610" height_o="1389" data-src="https://freight.cargo.site/t/original/i/827f8a1f6107b2802eebd4660aef4d6b640eba90f338b4eb7093ce608086063e/Screen-Shot-2022-08-22-at-3.06.23-PM.png" data-mid="168680398" border="0" src="https://freight.cargo.site/w/1000/i/827f8a1f6107b2802eebd4660aef4d6b640eba90f338b4eb7093ce608086063e/Screen-Shot-2022-08-22-at-3.06.23-PM.png" /> Acoustic blanket, Arduino, Max The instalation allows the viewers to create immersive soundscapes, by triggering and layering a selection of just intonation intervals and custom ratios.&lt;/&gt; A Fact Is The Destruction Of Meaning (2022) <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a695ed3731408478b1533add43728f177e98f3b562623764fa7bad87bdee513b/IMG_2120.JPG" data-mid="179598808" border="0" src="https://freight.cargo.site/w/1000/i/a695ed3731408478b1533add43728f177e98f3b562623764fa7bad87bdee513b/IMG_2120.JPG" /> <img width="6500" height="3331" width_o="6500" height_o="3331" data-src="https://freight.cargo.site/t/original/i/35bd100a26ae3f5df897ce3ab30cc7960bc3472afabdebc31e8207cae86fc333/HEADER.jpg" data-mid="179598936" border="0" src="https://freight.cargo.site/w/1000/i/35bd100a26ae3f5df897ce3ab30cc7960bc3472afabdebc31e8207cae86fc333/HEADER.jpg" />The project explores transparency and opacity both as phenomena and metaphors. The interconnections and points of friction between the seemingly opposite notions are staged in a sculptural installation, where transparent, reflective and opacified surfaces are sharing space. SOUND ARTIFFT Poetry (2021) <img width="2850" height="1676" width_o="2850" height_o="1676" data-src="https://freight.cargo.site/t/original/i/afec968b247e2318005fbb64ce93f79d2185d1fdee01dbe0d7bd18cce41ce61d/Screen-Shot-2023-02-28-at-11.04.01-PM.png" data-mid="170104844" border="0" src="https://freight.cargo.site/w/1000/i/afec968b247e2318005fbb64ce93f79d2185d1fdee01dbe0d7bd18cce41ce61d/Screen-Shot-2023-02-28-at-11.04.01-PM.png" /> <img width="2864" height="1596" width_o="2864" height_o="1596" data-src="https://freight.cargo.site/t/original/i/5c3c494622526bd7dd4e879e94ce09892b1247ec1e65c14fb441b88c0c91c73b/Screen-Shot-2023-02-28-at-11.04.19-PM.png" data-mid="170104845" border="0" src="https://freight.cargo.site/w/1000/i/5c3c494622526bd7dd4e879e94ce09892b1247ec1e65c14fb441b88c0c91c73b/Screen-Shot-2023-02-28-at-11.04.19-PM.png" /> <img width="2866" height="1674" width_o="2866" height_o="1674" data-src="https://freight.cargo.site/t/original/i/f210b8c9829b623c24ba1596b984b9508260b82c10b3b7ceeae24b081a6a095e/Screen-Shot-2023-02-28-at-11.04.33-PM.png" data-mid="170104846" border="0" src="https://freight.cargo.site/w/1000/i/f210b8c9829b623c24ba1596b984b9508260b82c10b3b7ceeae24b081a6a095e/Screen-Shot-2023-02-28-at-11.04.33-PM.png" /> Realized with Gabriel Lavoie Viau during a residency at Daïmon production Center, this experimentation comes from the idea of sonifying realities that would at first glance seem foreign to the sound world. We used Inverse Fast Fourier Transform [IFFT] to translate images into sound material. FFT allows us to obtain the spectral content of a sound and informs us of the amount of energy contained in consecutive frequency blocks at a given time. This information is often represented in the form of spectrograms, which provide an overall view of a sound extract, displaying the variations of amplitudes of the various blocks of frequencies in time. It is possible to do the opposite, i.e. to translate the result of the analysis into a sound wave, and this with more or less definition loss. In this experiment, we replaced the information related to the frequency blocks by the amount of brightness contained in a series of pixels. These pixels are located in the center of the image on a vertical line. The brighter the pixel, the more it activates the frequency block to which it is linked. Conversely, a black pixel will silence this frequency block. The visual source sent to the algorithm allows to activate or deactivate the frequency blocks of the Fast Fourier Transform and to vary their amplitude. This study of an image-sound pair allowed us to better understand the functioning and the limits of the Inverse Fast Fourier Transform technique, opening the door to the transposition of other types of realities to sound, and the creation of other strange pairs. Sonic Sympoiesis (2021) <img width="2864" height="1596" width_o="2864" height_o="1596" data-src="https://freight.cargo.site/t/original/i/7699d98429668ce3ab545d7bc695b47037c5418aedf6e1f524000f91006abb9d/SONIC.jpg" data-mid="170105123" border="0" src="https://freight.cargo.site/w/1000/i/7699d98429668ce3ab545d7bc695b47037c5418aedf6e1f524000f91006abb9d/SONIC.jpg" /> I created this short sonic adventure in the context of a student presentation at Festival de la Imagen 2021 in Colombia. While researching, I was reading about concepts around the idea of interspecies, and got particularily interested into the multiple variations of &lt;co-existing&gt; and &lt;making-with&gt;. While researching, I came across a video in which Donna Haraway gives a talk on the theme of phonocene, and mentions a story about the correspondence that her husband had with some of his students during the pandemic. His students were inmates in a state prison. They were writing about their relationship with some birds that were getting into the halls of the cell blocks. They listened to them, and related to them. The birds had become part of their lives. But since the pandemic lockdown, the prison officials managed to prevent the birds from coming in. Left with the enforced silence of pandemia, the young men were now excluded both from human and more than human contact. I created this bird synthesis piece as a symbolic gesture of bringing back this relational worlding into their lives.&nbsp; Bird singing recordings are sent to some sound descriptors (MuBu, IRCAM), then to a Machine Learning model (Deep Synth, programmed by Gabriel Lavoie Viau) which controls an additive synthesis patch in a modular synths setup.&nbsp; https://mimia.cargo.site/Soundtracks-Sound-design-Portfolio Wed, 16 Jun 2021 17:08:59 +0000 mimi allard https://mimia.cargo.site/Soundtracks-Sound-design-Portfolio FILM SOUNDTRACKS &nbsp;La garde blanche [2022 ]Film Score <img width="895" height="918" width_o="895" height_o="918" data-src="https://freight.cargo.site/t/original/i/13ef3617477b67b1985680d2d10ecf64b20364f5ebf4e63ff6270a5aba992792/VINYL.jpg" data-mid="176188415" border="0" data-scale="100" src="https://freight.cargo.site/w/895/i/13ef3617477b67b1985680d2d10ecf64b20364f5ebf4e63ff6270a5aba992792/VINYL.jpg" /> Dark Suns [2018]Film Score and sound editing <img width="1397" height="1144" width_o="1397" height_o="1144" data-src="https://freight.cargo.site/t/original/i/4901f7a9c268d2b95d27839723d607d12d6467c169843a9def240a30f435b3c2/Screen-Shot-2021-06-16-at-1.23.53-PM.png" data-mid="111545057" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4901f7a9c268d2b95d27839723d607d12d6467c169843a9def240a30f435b3c2/Screen-Shot-2021-06-16-at-1.23.53-PM.png" /> Dark Suns - Trailer <img width="1184" height="748" width_o="1184" height_o="748" data-src="https://freight.cargo.site/t/original/i/5cb2eb8e462adfbb7dfb9e227ead688cb675f9a2e53b046253960e9b20a6b901/Screen-Shot-2021-06-16-at-1.23.38-PM.png" data-mid="111545026" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/5cb2eb8e462adfbb7dfb9e227ead688cb675f9a2e53b046253960e9b20a6b901/Screen-Shot-2021-06-16-at-1.23.38-PM.png" /> - SOUND DESIGN Arrival [2016]Sound Special Effects Editor <img width="1000" height="1414" width_o="1000" height_o="1414" data-src="https://freight.cargo.site/t/original/i/aceb1b1deff20c6ae0445b559f5fc3976927dd18dcb71e2aea9f99cf5a5423cc/tumblr_ohopwdUnOx1t7b5qro1_1280.jpg" data-mid="111546039" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/aceb1b1deff20c6ae0445b559f5fc3976927dd18dcb71e2aea9f99cf5a5423cc/tumblr_ohopwdUnOx1t7b5qro1_1280.jpg" /> - <img width="920" height="383" width_o="920" height_o="383" data-src="https://freight.cargo.site/t/original/i/e1ce4a4d0ffb5a7f17967ea6fc7e87ec8e7a67e1fb06738f75192e648519501c/imdb-logo-svg-4-481374681.jpg" data-mid="176188656" border="0" data-scale="37" src="https://freight.cargo.site/w/920/i/e1ce4a4d0ffb5a7f17967ea6fc7e87ec8e7a67e1fb06738f75192e648519501c/imdb-logo-svg-4-481374681.jpg" /> More work on IMDb ART INSTALLATIONS / PERFORMANCES SOUND DESIGN Multimedia Performance Elle Barbara’s Black Space Mission – MAI, 2018Sound design <img width="1856" height="1329" width_o="1856" height_o="1329" data-src="https://freight.cargo.site/t/original/i/f2655967ac93282bfbb794e2f9a00f0b3bcf7a64b1a2d4a7eca046f7fd873bdd/screen-shot-2020-02-02-at-5.19.28-pm-1.png" data-mid="111546538" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f2655967ac93282bfbb794e2f9a00f0b3bcf7a64b1a2d4a7eca046f7fd873bdd/screen-shot-2020-02-02-at-5.19.28-pm-1.png" /> Leonard Cohen / A Crack in Everything Exhibition – MAC, 2017 [Carlos and Jason Sanchez room]Sound Design <img width="800" height="1194" width_o="800" height_o="1194" data-src="https://freight.cargo.site/t/original/i/54f2696abbde1b78f209ca8fde311b6b24b0c4604dc556cdfc4ad10579cc5e2f/1026616_102_1160_LTkxNzQ0NTMxNy0xNTE0MjY5MDM.jpg" data-mid="111547306" border="0" data-scale="100" src="https://freight.cargo.site/w/800/i/54f2696abbde1b78f209ca8fde311b6b24b0c4604dc556cdfc4ad10579cc5e2f/1026616_102_1160_LTkxNzQ0NTMxNy0xNTE0MjY5MDM.jpg" /> Life On Mars? – [Frédéric Lavoie], Murale de la Place-Des-Arts, 2017Sound Design <img width="1024" height="610" width_o="1024" height_o="610" data-src="https://freight.cargo.site/t/original/i/b862a0e589d9b0cd5009a937b15077e6c332029ced21c8ad17c287144a195bd1/screen-shot-2020-02-03-at-11.24.49-am-1.png" data-mid="111547439" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b862a0e589d9b0cd5009a937b15077e6c332029ced21c8ad17c287144a195bd1/screen-shot-2020-02-03-at-11.24.49-am-1.png" />